In response to Jennifer Roback Morse’s remarks to the Minnesota house I have asked them the following questions. I post a screen shot of them here since NOM and the Ruth Institute are generally not interested in open civil debate. I don’t expect them to provide any answers to them.
Gay and Lesbian people exist. We always have and always will. Regardless of what NOM, the Ruth Institute, or any of the other discriminatory organizations that continue to turn our own government against us hope to achieve. Sometimes I truly wonder what their goal really is. Is it to try and somehow cure us and eliminate us? I don’t think that there really is a clear answer to that question and frankly if that is the goal, it’s a fool’s goal because it can never be achieved. More Gay and Lesbian Americans are born everyday. Trying to rid America of us makes about as much sense as trying to get rid of everyone with red hair.
So if we aren’t going away what sort of protections do we deserve if not marriage? The reality of the mater is that we do fall in love. We do have children. We do build lives and families together. We buy homes together. We go on vacations together. We worry about paying the bills together just like any other family. Is it right that when one of us dies we have no say over burial or that we have to pay gift taxes on the things we bought together as a couple? If one of us becomes sick do we not have a right to visit our partner? Should we not have any rights to the children we may have spent years raising together simply because the state won’t allow us to adopt our partner’s biological child?
These are questions that can’t be answered by a simple contract other than that of civil marriage. Contracts other than marriage can be and often are challenged in court by family members that may not approve of the same sex relationship.
Without marriage are we just supposed to live a life without love, in solitude, and unhappiness? If you deny us marriage, then what will you allow?
Sci Fi Channel
Well, the network execs over at the Sci Fi channel have finally gone all the way with destroying a once great network. As of yesterday Sci Fi became SyFy, which in Poland is slang for syphilis. It?s been a long slow downward decline and this is the nail in the coffin. There was the addition of wrestling, which I still haven?t figured out how that fits into a Sci Fi genre. Then there is the fake reality shows, like Scare Tactics, and Ghost Hunters. No one should ever take a group of plumbers and try turning them into Blair Witch style ghost busters. Then worst of all is the constant string of monster/horror movies that show up every Saturday. The quality of these movies make the old B movies look like works of artistic genius.
Last night?s defacing brought along with it a new show called Warehouse 13. I watched it this morning on Hulu, I refuse to actually watch the network live any more. The show drags on for much of it, almost as if they really struggled to fill the 2 hours the premiere was slotted for. The show is basically a remake of the 1980?s show Friday the 13th, with an X-Files style wrapping.
It starts off with a long slow dull opening that lays the overextended back story for the Mulder / Scully wanna be duo and sends them off to the pawn shop, I mean government warehouse, in South Dakota where the third wheel is added by way of the Warehouse curator. Once there they pair is sent on their first assignment, which is to investigate a girlfriend beating university student in Iowa. The student apparently attends a made up University of Southern Iowa, which for some odd reason, is located in North Central Iowa, based on the map location the curator circles. I guess it fits well with the made up Seever County and Seever City. 99 counties to choose from in the state of Iowa and they had to make one up? At least in the The Puppet Masters they used real town names. As an Iowa resident I almost find it insulting. Warehouse 13 feels like a ?Been there, Done That, Didn?t care for the T-Shirt,? kind of show. The over used premise, the bad script, misplaced comedy, along with an apparently geographically challenged writing staff has certainly turned me off. Warehouse 13 will not be getting added to my list of regularly watched shows.
Somewhere Asimov is rolling over in his grave, and he is angry.